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Born in 1984, Tommy Goguely lives and works between Paris and Bordeaux. With a background in fundamental physics and a degree in aeronautical engineering, he first taught himself photography before enrolling at the Bordeaux School of Fine Arts, where he developed a more conceptual approach.
Influenced by photographic theory, his work examines the conditions of the medium’s existence in the digital age, focusing on the tensions and continuities between analogue and digital regimes. This shift is not understood here as a rupture, but as a ground for historicization, friction, and reactivation: sensor disruption, algorithmic diversion, reinterpretation of foundational icons... What emerges is a critical practice where photography is not exhausted by its apparatus, but replayed through it.
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